A while back someone among our local group shared a link to a set of books they’d found on the internet, with interpretations and drills for Meyer’s Art of Fencing. Word among the local group was that the people behind the books publish stuff “based on interpretations that are… subject to debate,” and suggest taking all of it with a grain of salt.

What caught my eye, though, was not the interpretations, but rather the suggested drills.

They reminded me of the sort of drills you find in a certain class of music texts, where they’re going to go on to the advanced stuff, but they want to make sure you’ve got the basics down, so they’ll have exercises like, “Play every major and minor scale in every key for every octave.” Which, you know, if you can’t do it pretty smoothly, you’re going to have trouble doing the advanced stuff, so you might as well know that right from the start.

And that’s what these drills are like. One is to stand in each guard and cut, thrust, or shift to every other guard. Then take a few quick notes. Did moving from that guard to this or that other guard seem easy and comfortable? Did it seem like it would be useful, or just leave you open for your opponent to take some advantage?

The next drill was to stand in each guard, and then execute each of Meyer’s cuts and thrusts. Again, take some notes. What seemed like it worked?

Drills like that don’t seem like they would depend on the author’s hot takes on anything about Meyer. In fact, they seem great on every level. I can get an idea of what might or might not work. I can get some practice doing each of the cuts and thrusts. I can spend some time standing in each of the guards.

Those are all things I can benefit from.

So I started doing some drills along these lines today, starting with Right Ox and Dempfhau.

I want to get a little lower in my fencing stance, and maybe hold my sword a little more forward, but it doesn’t seem as bad as I imagined.

Although Meyer doesn’t say so anywhere I’ve found, Right Ox is the guard you’d find yourself in at the end of drawing your rapier from a sheath. (Thibault says this, I think.) If your opponent drew before you, the very next thing you might need to do is fend off an attack, which suggests to me that Dempfhau might be very useful. So that’s one thing I drilled: Dempfhau from Right Ox followed by a thrust into Longpoint, followed by falling back down on the sword that I’d dempfhaued, and then moving to Iron Gate or back into Right Ox.

Besides that, I did some moving from Right Ox to several other guards (High Guard, Left Ox, Low Guard (on the right and on the left), Iron Gate, Plow, and Longpoint). I need to look more at the low guards and at plow, but the point of the drill is to start putting in the time, not to already be doing everything perfectly.

For the first couple of years I was doing longsword, I had real trouble keeping my arms extended and pushing my hands up (due to a lack of strength, lack of endurance, and lack of the habit).

I did all manner of training to work on this—exercises for arm strength, especially overhead pushing, endurance training for those same exercises, and of course sparring to train the habit. (See in particular Fitness training for longsword.)

I’m not there yet, but it no longer seems to be my worst problem. Here’s a sparring match with one of the better fencers in our local group:

I’m not quite all the way there, so it’s a thing to keep paying attention to, but it’s no longer my biggest problem.

Sundays are the day I still manage to do some HEMA training. I used to go three times a week, but had to cut way back after I hurt my elbow. Now it’s just Sundays, because Sunday is the day my group does a sword-in-one-hand class, which is gentler on my elbow. We usually train dussack or rapier.

My plan for today was to get as much writing done in the morning as I could, then go train sword fighting, and then squeeze in a bit more writing in the late afternoon or evening. But, as often happens, things happened. My brother invited me to attend the kick-off meeting for SFWA’s Winter Worlds of Giving event, so that was most of an hour on zoom. Then my usual cocktail hour with my brother and my mom. Then walking the dog. Then an episode of The Diplomat with Jackie. Then another episode of The Diplomat with Jackie. And now I’m just too tired to get any more writing done.

So, it’s a good thing I got in that morning session, which got me 551 words.

Tomorrow I’ll be back at it.

One of the things I haven’t done well in learning sword fighting has been “getting in the reps.” We’ll learn a move—a particular cut or thrust or parry—and I’ll work on it until I can do it correctly once (or a few times), but then I’ll quit. I don’t “get in the reps” that it would take to really learn the thing.

This is about 80% my own fault, of course. (It’s about 20% the fault of the instructors, who always want to move on and teach the next cool thing.) Clearly, having done something correctly once (or a few times) should put me in the position of being able to practice it more, either alone or with a training partner. And it’s totally on me that I hardly ever do that.

Anyway, I occasionally remind myself that I should get in the reps of whatever we’ve just learned. Sometimes I do better or worse, but I rarely forget. (I just get tired or busy or forget all the things we learned except the last one or find some other reason to fail to get in my reps.)

The reason I’m thinking about this today is simply that I’ve been writing more just lately, and of course writing is the same way. If you want to get better at writing, you need to get in the reps.

More specifically, you need to engage in “deliberate practice.” So it’s not just getting in the reps. You need to get in one rep, monitor your performance, evaluate your success, and then figure out how to do it better. Then repeat.

This is true at every level. In sword fighting there’s the cuts, thrusts, and parries, of course. But there’s also footwork to go with each one of those things. Then there’s postures that you might pass through along the way. There’s distance management. There’s watching your opponent’s postures for clues as to what he might be about to do. There’s figuring out what you might do in response.

Writing has its own levels, but it’s still the same. Word choice. Sentence structure. Paragraphs. Telling a story.

After decades of practice, I’m pretty good with words, sentences, and paragraphs. My skills with telling a story still need some work.

I need some more reps.

For an athlete, being explosive is good. You can jump higher, run faster, hit harder, and (the point of this post) thrust a sword more quickly. Sadly, I’m perhaps the least explosive person around. This is very frustrating when it comes to sword fighting, because my thrusts aren’t quick enough to hit my opponent, whereas their thrusts are quick enough to hit me, before I can parry them.

I can obviously compensate in various ways. I can try and be very deceptive, and then launch an attack that is so surprising my opponent can’t react. I can get very good at parrying, so I can stop an attack with a very small movement that doesn’t have to be so quick. I’m working on these things.

But one other thing I can do is work on explosiveness.

This will have other advantages too. Explosiveness (roughly the same thing as power) is an aspect of muscular strength that disappears early as one ages, and it’s very useful. Just being strong is great, if you want to lift something heavy, but power (or explosiveness) is what you need if you catch your toe, and then want to get your foot out in front of you before you fall down.

I’m going to have to do some research on training for explosiveness, but one exercise that I already know that I can start training right away will be to throw my slam ball. Some people do that facing a wall, so they can catch it and throw it again. But I think I’ll throw it, and then spring forward as fast as possible to pick it up and throw it again, so I can train both explosive arm strength and explosive leg strength.

I wanted a workout to practice my Meyer fencing stance—a workout more interesting than just standing in the stance for a minute or two.

Mark Wildman, in one of his a live Q&A videos, suggested the mace drop swing as a useful exercise for someone doing longsword. (It was in response to a question I asked about improving arm strength and endurance for holding your arms forward and overhead at full extension for extended periods, as one does in longsword.) He had suggested doing it in Warrior 2, but specifically mentioned that you could do it in whatever stance went with your longsword style; it just got harder as your stance got wider.

Besides being boring, just standing in a Meyer stance for a minute or two seemed like a missed opportunity; even a modest challenge to your stability in the stance seemed like it might pay off in strength, flexibility, and control of your stance.

So here’s the workout I came up with:

Get in your best Meyer stance, with your mace in your front hand. Execute 5 drop swings, checking your stance after each rep. Shift the mace to your rear hand and repeat. Take one passing step forward. (Your mace will now be in your front hand.) Repeat five swings with the front hand and five swings with the back hand.

That’s one set.

Here it is as a video:

My plan is to gradually add sets until I can comfortably stay in the Meyer stance for 5 or 10 minutes, to build the habit and capability of keeping a good stance while it is challenged by a shifting weight.

I think my stance is okay here. Of course, there isn’t just one Meyer stance. This image from Meyer’s treatise show the range pretty well:

The front two figures are both in what I think of as a basic Meyer stance. The two figures behind them are also in Meyer stances, the one on the right in something of a lunge, the one on the left in a more upright stance.

My drop swings clearly need a lot of work (do not copy mine!), but that basically comes along for free as I do the stance workouts. (I wrote a post called Fitness training for longsword, Mark Wildman style that embeds two Mark Wildman videos of the Warrior 2 stance mace drop swing, if you want to see someone doing it better.)

I’m doing the swings with my 5 lb mace. I have a 10 lb mace that I’ll want to move up to, once I have the drop swings a bit more under control.